|
The Lounge Lizards |
Bob The Bob; Voice Of Chunk; One Big Yes; The Hanging |
Voice Of Chunk |
Lagarto Productions |
|
|
Jin Hi Kim |
Gut Morgen (with Hans Reichel); Yongary Meets Big Foot (with Henry Kaiser); Naby; Howdy Partner (with Eugene Chadbourne); Yellow Seed; Company (with Derek Bailey) |
KomunGuitar |
¿What Next? |
|
|
Half Japanese |
Dance When I Say Dance; Girl Athletes; Because I Love You; Danger Danger Rachel Lang; E.S.P.; Classical Music; You're Gonna Miss Me; Little Girls Have To Be Home Early; Too Much Adrenalin |
Our Solar System |
Iridescence |
|
|
György Ligeti |
Glissandi, elektronische Komposition; Continuum für Cembalo; Zehn Stücke für Bläserquintett; Etüden für Orgel |
György Ligeti: Continuum/10 Stücke f. Bläser/Artikulation/Glissandi/Orgel-Etüden/Volumina |
Wergo |
|
|
Charles Ives |
From the Second Piano Sonata, "Concord, Mass. 1840-1860": Emerson (end of exposition, most of recapitulation); Hawthorne (fragment); The Alcotts (complete); Emerson Transcription No. 1; Emerson Transcription No. 3 |
The 100th Anniversary (Ives Plays Ives) |
Columbia |
|
|
Alvin Curran, Andrea Centazzo and Evan Parker |
Real Time |
Real Time |
Ictus |
|
|
Henry Brant |
Orbits |
Henry Brant |
CRI |
|
|
Puzzle Punks (Yamantaka Eye, Shinro Ohtake) |
Ouck Nuff; Unlimited Toothpicker; Pep & Kep; Xicotepecker; Budub; Techno Wear; Yahowa 1.30; Uwazima's Most Hardcore Car |
Budub |
Time Bomb |
|
|
Mason Jones |
Stone Clouds |
Guitar Untouchable |
Alchemy |
|
|
Christobal Halffter |
Lineas y Puntos |
Symposium/Secuencias/Lineas y Puntos |
Wergo |
|
|
Mary Howe |
Interlude Between Two Pieces |
Mary Howe |
CRI |
|
