|
Artist |
Title |
Album |
Label |
Link |
|
Claudio Monteverdi |
Madrigali erotici: Con che soavità; Vorrei baciarti; Tempro la cetra; Mentre vaga angioletta; Come dolce hoggi l’auretta |
Consort of Musicke/Anthony Rooley: sopranos: Emma Kirkby, Judith Nelson, Poppy Holden; tenors: Paul Elliott and Andrew King; baritone: Richard Wistreich; bass: David Thomas |
L'Oiseau-Lyre DSDL 703 |
|
|
Henrich Schütz |
The Passion According to Saint John |
Stuttgart Choral Society/Hans Grischkat; tenors: Claus Stemann and Werner Hohmann; bass: Bruno Mueller |
Renaissance X-26 |
|
|
Thomas Tallis |
The Lamentations of Jeremiah the Prophet |
the Deller Consort: Countertenor: Alfred Deller; tenors: Gerald English and Wilfred Brown; baritones: Maurice Bevan; bass: John Frost |
Bach Guild BG-551 |
|
|
Henry Purcell |
Love's goddess sure was blind: Ode for Queen Mary's Birthday, 1692 |
the Early Music Consort of London/David Munrow; soprano: Norma Burrowes; countertenors: James Bowman and Charles Brett; bass: Robert Lloys; harpsichord & organ: Christopher Hogwood; viola da gamba: Oliver Brookes |
Angel S-37251 |
|
|
Luís de Milán |
Aquel caballero, madre |
Ars Musicae Ensemble of Barcelona/José M. Lamaña: soprano: Victoria de los Ángeles |
Seraphim S-60349 |
|
|
Miguel de Fuenllana |
Duélete de mí, Señora; De Antequera salió el Moro; De los álamos vengo, madre |
Ars Musicae Ensemble of Barcelona/José M. Lamaña: soprano: Victoria de los Ángeles |
Seraphim S-60349 |
|
|
Esteban Daza |
Enfermo estaba Antioco; Dame acogida en tu hato |
Ars Musicae Ensemble of Barcelona/José M. Lamaña: soprano: Victoria de los Ángeles |
Seraphim S-60349 |
|
|
Juan Vásquez |
Morenica, dame un beso |
Ars Musicae Ensemble of Barcelona/José M. Lamaña: soprano: Victoria de los Ángeles |
Seraphim S-60349 |
|
|
Enríquez de Valderrábano |
Señora, si te olvidare; De dónde venis, amore |
Ars Musicae Ensemble of Barcelona/José M. Lamaña: soprano: Victoria de los Ángeles |
Seraphim S-60349 |
|
A variety of vocal music from the Renaissance and early Baroque.
